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“When we saw them together,” he added, “it was like, these are the two.”īall asked Sisto to appear in a single scene in the pilot, with the promise of a juicy part as Brenda’s brother if the series was picked up. “Then when Rachel flew over to read, we asked Peter Krause to read with her.” The producers had already settled on an actor Ball wouldn’t name for Nate, the prodigal brother newly returned from Seattle, but “we took him to HBO and he choked,” Ball said. Peter Krause and Jeremy Sisto had also read for David before Hall was cast.
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“My hope was that my comfort level would stay just neck and neck with, if not a little ahead of, David’s comfort level with himself.” “I was glad that David Fisher was, especially when we first meet him, so wound up and tense, because I was somewhat wound up and tense about acting in front of a camera,” he said. Hall, who had never worked in television before, found that his jitters suited the perpetually anxious character well. “I think the fact that there was a connection between Sam Mendes and Alan Ball made it feel, at least if it worked out, potentially serendipitous.” in the Sam Mendes-directed production of ‘Cabaret’ and was invited to audition,” Hall said.
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Ball managed to convince HBO that the character actor Richard Jenkins was right for the role, assuaging their concerns by casting Rachel Griffiths, who had recently been nominated for an Oscar for “Hilary and Jackie,” as Brenda.īall had pictured Christopher Meloni and Justin Theroux for the roles of the brothers Nate and David while writing the pilot, but neither was available when the casting process for “Six Feet Under” began.
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The network thought the recurring role of Nathaniel, the Fisher family paterfamilias who dies (spoiler alert!) in the first episode and recurs as a ghostly presence, would be an ideal gig for a movie star. While HBO was relatively hands-off in regards to Ball’s concept for the show, it did push for at least one big name to join the cast. “I’m gratified that it has maintained enough of a presence for a conversation like this to feel warranted,” Hall said. Two decades later, the show’s creator, along with some of its stars, writers and crew members, were happy to pay tribute to the transformative series and its legacy. The series was a groundbreaking exploration of grief and loss on television, its intensity leavened by a quirky, sideswiping sense of humor. Over the course of five seasons, “Six Feet Under,” which premiered on June 3, 2001, was a linchpin of HBO’s dominant Sunday-night schedule in the early 2000s, winning nine Emmys and the affections of millions of viewers transfixed by the Fisher family’s emotional struggles. “And as somebody who aspires to be an artist and aspires to create work that is meaningful, that was Claire.”īall was used to receiving detailed feedback from network executives on his writing, which made it all the more gratifying when Strauss had just one note: “Could you make the whole thing just a little more up?”īall complied - for example, the character of Brenda, initially written as a milquetoast girlfriend, became a far more complex partner and foil to Nate - and “Six Feet Under” was born. “As somebody who took a long time to grow up and still fought it every step along the way, I was pouring that into Nate,” he added. Hall, as “a guy whose worst enemy is himself.” “As a gay man, I was mining my experience for David,” said Ball, who described David, the fretful brother played by Michael C. They also represented facets of Ball’s own personality. These were the Fisher children, who would muddle through their various existential difficulties while living and working within the confines of the family’s funeral home. “There was a precocious teenage daughter.” “There was a very conservative gay guy there was a sort of Lothario prodigal son,” Ball said in a recent video interview. Soon after, “Oh, Grow Up” was canceled and Ball wrote the pilot for the funeral-home show on spec, smuggling in variants of his sitcom characters. At a lunch, the HBO executive Carolyn Strauss pitched Ball a series idea set in a family-run funeral home. In 1999, at the same time Alan Ball’s movie “American Beauty,” directed by Sam Mendes, was en route to winning an Oscar for best picture (and winning Ball an award for best original screenplay), Ball’s ABC sitcom “Oh, Grow Up” was floundering in the ratings. So it’s fitting that its own life began with the death of a different show. “Six Feet Under,” the acclaimed HBO drama that premiered 20 years ago this week, was based on the hard but undeniable truth that “death and life are inextricable,” said the producer Alan Poul.